Friday, November 19, 2010

ANNIE LENNOX SAYS GOOD MORNING, AMERICA
Here Comes The SING, Again

This morning on Good Morning America, the divine Annie Lennox returned to North American television screens to grace us with her angelic voice and to continue her admirable commitment to raising awareness of HIV and AIDS through her charity work.



Annie Lennox has long been involved in awareness-raising efforts around HIV/AIDS. In her own words, here’s why: “Several years ago I personally witnessed Nelson Mandela, standing in front of his former prison cell on Robben Island, addressing the world’s press. His message was that the pandemic of HIV/AIDS in Africa was in fact, a genocide. Since that time I resolved to as much as I can to bring attention to the HIV/AIDS crisis."



Her appearance on GMA today included a short chat before she sang “Universal Child” which is a new composition she released last month on October 12.

She also talked about her brand new Christmas album called “A Christmas Cornucopia” released this week on November 15. Her inspiration behind it came from her time spent as a child when she sang in choirs and learned Christmas music at a very young age. This new album includes Annie’s very favourite songs from that time.



“I’ve known these songs, these carols all my life, I’ve sung them since I was little,” says the songwriter and singer of The Holly And The Ivy, Silent Night, The First Noel and other, less-widely-known songs such as Il Est Ne Le Divin Enfant, and Lullay Lullay. “ They’re just in me. They’re a huge part of my life. So it’s not an arbitrary selection. Those relationships with those pieces of music were there intrinsically before I approached the recording.”

Annie also talked about a recent trip to Cape Town, South Africa to record with the African Children’s Choir which is featured on her Christmas album.





Annie’s short chat was followed by a beautiful live performance of “Universal Child”. I’m just amazed by her voice. I always have been actually. Sister sings like an angel! And 'Universal Child' is a gorgeous song, too.





Annie Lennox still looks friggin' amazing!. She’s aging very well and very gracefully. What else would we expect from Ms. Lennox? You can see that she is not “investing” in botox or anything like that. And guess what, everybody? She looks great!

Annie made a point of mentioning that all the income she earns from sales of “Universal Child” are paid to her charity, the Annie Lennox Foundation which raises money for projects supporting and educating women and children in Africa with HIV/AIDS. Now THAT’S the Christmas spirit, right?!



In 2007, Annie Lennox’s work was consolidated into the SING campaign. From the SING campaign website:The money raised by SING helps prevent the spread of HIV in South Africa. But the awareness that SING raises in countries all around the world is just as important. One of SING’s aims is to increase global action to support infected and affected women and children, especially in the UK.

Annie lobbies politicians, gives performances and interviews, and speaks at international events about HIV. She uses her unique voice to fight stigma and bring about change.

In 2010, Annie became an official UNAIDS Goodwill Ambassador, as well as an HIV Ambassador for London and a special envoy for CPA Scotland on HIV.

WHY IS IT CALLED ‘SING’?

When people get together to sing, they become encouraged and inspired. In the words of Nelson Mandela: “Let us use the universal language of music, to sing out our message around the world”. As one of the world’s most renowned singer songwriters, Annie Lennox decided to write an anthem that could be used as a symbol of unity and empowerment, and help spread the message to the world.

In the spring of 2007, she invited 23 of the most internationally acclaimed female artists to record their voices on “SING”. Watch the SING video:

Sunday, November 14, 2010

THE 2010 GEMINI AWARDS
Gemini 25 gala hosted by Glee's Cory Monteith


Last night in Toronto, all the movers and shakers (and shmoozers & fakers?) of the Canadian television industry converged upon the Winter Garden Theatre for the 25th annual Gemini Awards (Gemini 25) celebrating the best of the past year in Canadian television.

As attendees arrived, it’s rather hilarious to note that “dozens of fans” lined the red carpet too. Ok, seriously… “dozens” of fans? Yup, that’s what the Canadian Press reported.

It’s just so funny to me, but I guess that’s Canada for ya. If this were an entertainment awards ceremony in LA, London or Mumbai I’m pretty sure there would be hundreds if not thousands of fans that would turn out for an event like this. But at least the fans at the Gemini's looked like they had fun interacting with Cory Monteith:

Then again, most of the programming on at least two of Canada’s three national TV networks offer American shows in the vast majority of time slots. Yes, I’m looking at you Global and CTV. The CBC isn't guiltless either thanks to their abundance of Ghost Whisperer reruns lately.

So, really then, why should there be any more than “dozens” of fans who show up to see Canadian TV talent that doesn’t get nearly the push and publicity that goes on in other international TV markets.

Gemini 25 was hosted by Cory Monteith, star of ‘Glee’, who was born in Calgary and raised on the west coast in Vancouver. As host, he had a relaxed, easy-going and fun, self-deprecating take on his being chosen to host the Gemini’s.

SIDEBAR: Global TV has a good chat session on their blog with Cory Monteith where he discusses his role as host of Canada’s Gemini Awards.

The first award of the night was for Best Host in a Sports Program. It went to Brian Williams for his coverage of the Vancouver 2010 Olympic Winter Games. I have to agree, he was solid as always.

His win reminded me of a great bit he did on air with NBC’s Brian Williams during the 2010 Olympics which centred on the two national broadcasters from different countries who share the same name. It’s on YouTube, here.

Rick Mercer handed out the award for Best Ensemble Performance in a Comedy to the cast of 22 Minutes. Mercer's segment included fun, clever references to the theme from that old Canadian TV stinker from the 80s, The Littlest Hobo.

Shall I digress for but a moment? Alrighty then, if you insist. Mercer's talk of The Littlest Hobo reminded me how in elementary school I lied to my friend Heather and told her my Dad was the executive producer of The Littlest Hobo. Ha! The reason I did it was because she showed me a photo of what she claimed was a secret room in her house. I guess I felt like I needed to measure up with something equally cool. Goddess knows why I thought “The Littlest Hobo” brought the cool factor. In the end, we both admitted our little white lies.

Back to the Gemini Awards, the trophies for supporting actors in a dramatic series went to Catherine Disher for The Border and to Cle Bennett for his role as a gangster on The Line. During his acceptance speech, Bennett spoke out to real-world gangsters and told his ‘gangsta brothers to put down the guns, take an acting class.’

The Gemini’s for leading actors in a dramatic role went to Caroline Cave for Cra$h & Burn and to Robert Carlyle for Stargate Universe who gave thanks to a fantastic production team and crew in Vancouver. I guess his win proves that you don’t have to be Canadian to win a Gemini, eh. Oddly it took me a second to realize where I know him from, since I don’t watch Stargate Universe. But of course we do all know Carlyle from the Trainspotting and The Full Monty movies to name just a couple of his previous well-known works.

The featured live performance of the night was given by Elvis Costello featuring Feist and Ron Sexsmith. I don't even know what song they did. It was boring.

Nina Dobrev, former star of Degrassi and current co-star on Vampire Diaries appeared at Gemini 25 – looking tres gorge, I might add – to present the Academy’s tribute to Degrassi for its amazing 30 years of storytelling.

There was a terrific video retrospective of Degrassi featuring ancient and recent footage from the show and interview clips with former cast members including Amanda Stepto who played Spike in the 80’s. Spike ruled, and her teenage pregnancy storyline was so ground-breaking at the time.

Somebody put the tribute up on YouTube. The audio quality ain’t the best, but it’s totally worth watching in case you didn’t catch it last night during the telecast awards ;-)

It struck me as kinda weird that Degrassi creator, Linda Schuyler, wasn’t invited up to the stage to receive their achievement award. It would’ve been nice to hear what she had to say about Degrassi.

Somewhere along the way, Grace Park showed up to present an award. She used to act regularly in Canada in such shows as The Border and Battlestar Galactica though is now on the American TV revival of "Hawaii Five-O", which of course co-stars the devastatingly yummy Scott Caan. The fact that she gets to see Scott Caan everyday automatically makes her a bitch ;-)

I kid, I kid. But do I wonder if she was sending a Carol Burnett-inspired message to her Mom by tugging on her ear like that!

CBC's Dragon’s Den was nominated last night and was also the focus of a pre-taped comedy bit featuring hosts of a slew of Canadian TV shows pitching their new business ideas to the Dragon's Den panel.

The bit featured hosts like Hana Gartner from the Fifth Estate; Jessi Cruickshank and Dan Levy from MTV’s The After Show, and Cheryl Hickey from Entertainment Tonight Canada. Among all their "ideas", there was one fun idea, labelled as the GAYHL (Gay Hockey League). It was of course pitched by Trevor Boris who I always thought was so funny on MuchMusic’s Video on Trial.

Speaking of comedy, the Gemini for Best Writing in a Comedy Series went to Less Than Kind which of course airs on HBO Canada. The show also won for Best Comedy Series.

Geri Hall from 22 Minutes appeared as a presenter. I’m sure she’s a lovely person, but can I just say that she has got to have the MOST annoying voice in the history of Canadian television. It’s worse than Casey from Mr. Dressup. In fact, Geri Hall’s voice even makes Kathy Griffin’s voice sound like angels playing harps beside gentle ocean surf while purring kittens make babies laugh softly.

The Gemini for Best Talk Series went to Spectacle: Elvis Costello With… I’m not surprised his show won. While accepting the award, Costello said he feels “quite Canadian”. He said when he goes out to “the shops” in Vancouver people of all ages tell him they like the show. David Furnish - who is Costello’s executive producer and Elton John’s husband - accepted the award on stage with Costello.

The Gemini Award winner for Best Dramatic Series was… The Tudors! Technically, it won for Season 3 although Season 4 is currently airing on the CBC.

As with all televised Canadian awards shows, when the camera pans the audience, I inevitably wonder, "who are all those people?" Behold...

There is a slew of "after-party" pics on the Gemini's facebook, like the one below, if you feel like gawking ;-)

My fave part of the Gemini's was the Top 25 Canadian TV Shows list over the past 25 years. It's on the web or you can just read it next:

Top 25 FAVE CANADIAN TV SHOW COUNTDOWN

25 The Newsroom

24 The New Music

23 Traders

22 The Nature of Things

21 Cod Co

20 DaVinci’s Inquest

19 Slings & Arrows

18 Made in Canada

17 Wayne and Shuster

16 This Hour Has 22 Minutes

15 North of 60

14 Rick Mercer Report

13 Kids In The Hall

12 Trailer Park Boys

11 Beachcombers

10 The Friendly Giant

9 Corner Gas

8 Being Erica

7 Due South

6 Holmes on Homes

5 Durham County

4 Anne of Green Gables (Megan Follows FTW!)

3 Mr. Dressup (Casey and Finnigan FTW! but I now think Casey looks really creepy with his orange yarn hair and huge red dots on his cheeks - kind of like Stuart on Mad TV)

2 Flashpoint

and the Number 1 fave TV show is...

1 Degrassi

I think Gemini 25 was best summed up by THIS prop and gesture from 22 Minutes' Shaun Majumder:

Friday, November 12, 2010

Here’s the story, Morning Glory
Nominee: Best Overacting in a Rom-Com

Me and my friend Sooz went to see the new Rachel McAdams movie, “Morning Glory”.

After seeing the trailer - and after having already seen almost every other major release currently in theatres - I thought 'Morning Glory' would be a fairly solid choice for spending a couple hours in the dark.

“Morning Glory” is the story of Becky Fuller, (over)played by Rachel McAdams. Becky is a TV Morning Show producer in New Jersey shooting for stars.

And by "stars", this movie means "The Today Show" since ‘Today’ is widely recognized as the top dog in American network morning shows.

As a matter of fact, 'Today’ is mentioned so often in “Morning Glory” that by the end of the film I was wondering if I was watching a Universal Pictures release since there was such unabashed cross-promotion in the script. (Turns out ‘Morning Glory’ is a Paramount Picture which, I think, is more closely associated with CBS TV properties).

In ‘Morning Glory’, Becky experiences an unexpected career change which places her in New York’s morning TV market. But it's not a change that gets her the ‘Today’ show. Instead, she joins the fictional IBS Network and its morning show, Daybreak.



As I watched, I wondered if the film's writers are aware that “IBS” stands for Irritable Bowel Syndrome.

‘Daybreak’ is suffering terribly in the ratings and is on the verge of cancellation by the network. Enter plucky new-producer Becky, who offers more spunk than a Bel Ami on-location shoot in a Budapest back alley.

Becky turfs one of the two 'Daytime' anchors, both played very well by Diane Keaton and Modern Family’s Ty Burrell. I don’t wanna give *every*thing away, but suffice to say the anchor who gets fired conveniently makes room for Harrison Ford’s character, Mike Pomeroy, to fill the vacancy.

As you might expect, Becky is very challenged in her tough new position in the big city, especially by having to mediate an ego-war waged by Pomeroy and Keaton’s character, Colleen Peck.

Now, normally I really love Rachel McAdams. But I did not love Rachel McAdams in ‘Morning Glory’. Not saying I hated her, but I think she really overplayed Becky Fuller. To the point of charicature.

Think big smiles and an “aww shucks / can-do” attitude. Think bangs that CONSTANTLY fall over the eyes, get stuck in lipstick, and need to be blown up and out of the way while she looks up with an eye roll and a heavy sigh. Think continuous contrived clumsiness that only once actually feels spontaneous and makes you laugh.



Then there’s Harrison Ford. I’ve had a hard time liking him lately because anytime I happen to catch him getting interviewed on Letterman or something like that, he is seriously THEE MOST boring person ever.

But in ‘Morning Glory’ he also unfortunately overplays his character. Ford is Mike Pomeroy, a veteran journalist who is a scathing curmudgeon and just wants to be retired. He has zero patience for the admittedly light news format of network morning shows.

And boy-oh-boy when Mike Pomeroy shows his disdain, does he ever growl like a bear, or a dog, or a mafia don, or like whatever... every single time he recites a line. It’s just too much growling. Way too much growling. It's not acting, it’s just growling.

Diane Keaton on the other hand is quite a delight in the movie. Her character’s quirks are much more nuanced and believable, and often downright funny as in her scene as a sumo wrestler in a ratings stunt.

‘Morning Glory’ also co-stars Jeff Goldblum, John Pankow (who Sooz recognized from ‘Mad About You’) and the very yummy Patrick Wilson as Becky’s love interest.

Interestingly, 'Morning Glory' is produced by JJ Abrams (Alias, Cloverfield, Lost, Star Trek, etc.) which really freaks me out. Mind you, Rachel McAdams and Jennifer Garner are kinda doppelgangers so that explains that.

With 'Morning Glory' I guess I got what I paid for. A predictable romp through cookie-cutter romantic-comedy territory. That’s what Hollywood does – quite often – and often it’s done well, but only marginally well in this particular case.

'Morning Glory’ is a saccharine slice of Hollywood and that’s fine. I just wish the acting had not bothered me like a mosquito buzzing near my ear.

On the soundtrack side of things, the closing credits include a new Natasha Bedingfield song that sounded good. It’s called “Strip Me”.

The trailer for 'Morning Glory' is on YouTube

Tuesday, November 9, 2010

Madonna does Ellen
"Do unto others as you would have them do unto you.”

Today’s Ellen Show featured a live interview via satellite with Madonna seated on a chair somewhere in New York City.

Once Ellen recovered from her own rather apparent shock and aww over how pop music's Botox Fox is lookin' these days...

...Madonna set an unusual tone for their chat by letting Ellen and the rest of us know that head lice are running rampant in Madge's home...

That's right. Head lice. Nice.

That aside, the main reason Madonna appeared on Ellen today was to talk about about bullying and teen suicide which seems to be occurring with frightening frequency lately in the U.S.

Many of the recent high-profile suicides have been committed by teenagers who were bullied for being gay.

Madonna spoke about her own feelings as a misfit while growing up. “I can totally relate to the idea of feeling isolated and alienated. I was incredibly, um, lonely as a child, as a teenager and I have to say I never felt like I fit in at school.”

These recent tragic suicides have brought Madonna around once again to acknowledging where much of her public support comes from. “The gay community has been incredibly supportive of me,” she said to Ellen. “I wouldn’t have a career if it weren’t for the gay community.”

She told of how her gay ballet teacher took her under her wing and in doing so told her it was good and okay to be different.

Two of Madonna’s children – Lourdes, 14, and Rocco, 10 – have been part of recent conversations in the singer’s home regarding bullying.

"I also have a teenage daughter and I have ongoing discussions with her about this topic,” Madonna said.

Good to hear that Madonna believes she’s in a role that can make a difference with how kids feel about themselves and how kids treat other kids while growing up. “It starts in the home with parents and their relationship with children.”

I agree with Madonna’s opinion on what may bring out the bully in people. She said, “Usually when people are bullying somebody, they’re afraid of something. They’re afraid of the unknown, they’re afraid of something unfamiliar to them.”

Madonna also said something that I think the vast majority of gay people have known forever: “The concept that we are torturing teenagers because they’re gay is … like lynching black people or Hitler exterminating Jews.”

At the risk of being trite, she really bottom lined the best course of action for us all: “Do unto others as you would have them do unto you.”

Near the end of their chat, Ellen asked Madonna what she’s working on these days. Her response was she’s now directing her second film (despite her unwavering tendency toward producing deadly box office poison) and is “editing it right now.”

As soon as that job is done, Madonna said “I gotta get my butt in the studio and make some more music."

Halle-Berry-Lujah! And while you’re at it, Madge, make another “Ray of Light” wouldya? That one is definitely worth repeating :)

As you'll see in the next pic, to close the interview Madonna announced her intention to revive Voguing and forced Ellen to learn it via satellite ;-)


After Madonna’s appearance, Ellen’s next guest was Kate Walsh from Private Practice. I have no interest in her or that show OR the fact that’s she’s now hawking a new fragrance called “Boyfriend”. I mean really, WhoTF cares that Kate Walsh has a fragrance? What's up with that, Kate? You're neither Sarah Jessica Parker nor Britney, bitch.

But what did interest me with Kate Walsh's appearance was that Ellen brought out four HOT topless dudes to help us viewers believe that this fragrance matters.

Each guy was scented differently - one with Kate's “Boyfriend”, the others with Ben-Gay and Jack Daniels and gross-smelling stuff like that - and Ellen had to sniff each guy to figure out which one was wearing the fragrance.

Cute fun ensued. Purely gratuitous, not to mention filled with hotness. Hope you enjoy these pics of pecs and such...

I wonder if the model in the next photo ever got bullied in school?

Weeeee :-) So anyway, the real point here is that I'm glad to see my Madge and my Ellen taking on a vitally important issue such as the awareness raising and prevention of bullying.

It is important that people with profile use it get people thinking about things that matter. This is literally life and death, so let's all do whatever can to help out the kids.

For resources on bullying and suicide, take a look at:

http://www.publicsafety.gc.ca/res/cp/res/bully-eng.aspx
http://www.dontfeedthebully.com

WATCH Madonna's conversation with Ellen

Tuesday, April 13, 2010

GLEE DOES VOGUE
The Power of Madonna

There are not enough superlatives in the world... behold Glee does Vogue:



"Somewhere in the English countryside, in a stately manor home, Madonna is WEEPING!"

Sunday, April 11, 2010

DIXIE CARTER PASSES AWAY
Age 70

Dixie Carter has died and it is heartbreaking news for her fans, of which I am most certainly one. Her character, Julia Sugarbaker, on tv's Designing Women, is one of my favourite tv characters of all time. I find the news of her death incredibly saddening and I'd like to show my respect simply with this clip which is my favourite Dixie Carter performance:

Rest in peace, Dixie. You will be missed.

Monday, March 29, 2010

REVIEW: KIRSTIE ALLEY'S BIG LIFE
Surreality TV's Next Big Hit?

Kirstie Alley's new tv series "Big Life" has premiered on A&E:




I watched it. The show was somewhat inneresting, mildly amusing, occasionally smirk-worthy... but really, the only thing I came away with after watching it was one important question...

In light of what I'll assume is a consistently hefty grocery budget, how on earth does a sporadically working actress have any money left over to pay for an assistant, a stylist and a handyman? And an apprentice assistant?


That's right, Kirstie Alley has an entire team behind her considerable behind. Meet them all here if you dare (care?)


It really does floor me that she has so many minions. Whatever. I do like to see people do well. So, let's consider this next photo of Kirstie Alley as the "before and after" photo to accompany her new TV show... left side represents premiere episode, right side equals finale.




Good luck, Kirstie - and may your new series be a lesson to everyone that it is never good to have something called "Fat Actress" as the most recognizable recent accomplishment on your resume. Or as the most recognizable recent reference point for those who remember your work before your weight issues outweighed your work.

P.S. Is it just me or is it weird that IMDb doesn't list "Big Life" as one of Kirstie Alley's projects?

Saturday, January 2, 2010

MY TOP 10 POP SINGLES OF 2009
Confessions of a pop music junkie

Here's a list of my 2009 Top 10 pop songs - they’re club-ready and remix-friendly and just generally fantastic. Except for #6, this list of songs is comprised exclusively of female vocalists proving that the ladies sang some great tunes in 2009. Away we go:

10. Already Gone – Kelly Clarkson
STANDOUT LYRIC: “You can’t make it feel right when you know that it’s wrong”

Finally, a Kelly song I love again. This one brings me back to the good ol’ days (ie: 2004/2005) when singles from “Breakaway” were EVERYWHERE and for good reason… they were amazing. This single has allowed me to re-fall in love with Ms. Clarkson.



9. Yeah Yeah Yeah’s – Zero
STANDOUT LYRIC: “Try and hit the spot, get to know it in the dark”

If Chrissie Hynde and Tori Amos had a love child, she would be Karen O, the singer in Yeah Yeah Yeah’s who kicks a helluva lot of ass. The first time I heard this song I was driving and turned up the radio nearly as loud as it would go.




8. Metric – Help I’m Alive
STANDOUT LYRIC: If you're still alive My regrets are few If my life is mine What shouldn't I do?

Hands down (mine) this is the best single by a Canadian act to make an impact in 2009. I realize it was released in the last week of December of 2008, but its impression was made through 2009 and that’s also when I heard it.
Something about this tune (if not the entire band) reminds me so much of Curve, a band I loved dearly back in the day (early 90’s).
Help I’m Alive contains moments of pop perfection and has balls the same size as any other rock song you put next to it.


7. Halo – Beyonce
STANDOUT LYRIC: Remember those walls I built / Well baby they’re tumbling down / And they didn’t even put up a fight / They didn’t even make a sound

In keeping with how much I was into remixes this year, I fell in love with this song the first time I heard it… which was one of the zillions of club remixes of it. Of course, I’ve also heard the regular album version and love it as well.
Halo is one of those songs that works very well with a beat or without because ultimately it’s all about the song itself and this song has goodness in spades – strong vocal arrangements, solid writing, perfect pop production, so much passion is embedded in every element of the song. To me it sounds like everyone who worked on it was equally in love with it.



6. I Gotta Feeling – Black Eyed Peas
STANDOUT LYRIC: Jump off that sofa let’s get get UP

Now here’s a pop song that just couldn’t be any more ripe for a remix. But for me, none of the remixes I heard measured up to the album cut – that’s the best version of the song in my book.

This song is about nothing other than going out and having a great time, and sometimes we just need to sing along and dance our asses off to a catchy tune and forget the rest.

SIDEBAR: I also really got my groove on with BEP’s previous single, ‘Boom Boom Pow’ (which was made all the more enjoyable when you realize how huge that song was when POO-rez ST-ilton got his face boom-boom-pow'd by BEP’s manager… ah, good times).

Back to ‘I Gotta Feeling’, it was #1 for 14 weeks on the Billboard Hot 100 – that’s amazing! That’s the 2nd longest period of time that a single has been #1 on the Hot 100. To be clear, there are other songs that have also been #1 for 14 weeks.

Incidentally, the first longest window of time for a song to be #1 on the Hot 100 is 16 weeks and that record is held by Mariah Carey and Boyz II Men for ‘One Sweet Day’ (which I still, to this day, cannot believe was such a gigantic hit).

And believe it or not, ‘I Gotta Feeling’ is *still* hanging around on the Canadian Hot 100 pop music chart. It’s number 9 and if you tend to disbelieve that, as I do, the proof is right here

What say we relive that crazy but fun Oprah flashmob episode featuring BEP doing I Gotta Feeling:


5. Therapy – India.Arie
STANDOUT LYRIC: He puts his hand on my lower back / his face in my neck and says something to make me laugh / Makes me forget I was mad


While ‘Therapy’ as a song title pales next to India.Arie’s BEST song title EVER, “I Am Not My Hair”, ‘Therapy’ is a truly fabulous song and I believe this song is what sunshine sounds like. It’s a beautiful gem that deserves to get passed along for generations to come. 'Therapy' comes with a wonderful video:



4. Bad Romance – Lady Gaga
STANDOUT LYRIC: I want your love

No doubt, 2009 was the year of the Gaga. I do dig the Gaga quite a lot. But I have to get something off my implants: the truth is, I loathe this artist’s stage name. I just think it’s utterly and absolutely ridiculous. BUT… and that’s a big ‘but’, I’m very willing to overlook the name because her music, persona and politics are all damn hot.

And (most of) Gaga’s performances are smokin’ hot, too. While there’s been a couple of televised live performances which have left me wondering “wtf?” - such as the MTV Video Music Awards and the American Music Awards - there are a couple of others that have been fantastic like her performance of ‘Poker Face’ on The Ellen DeGeneres Show and her live appearance on the MuchMusic Video Awards.

And aside from all of those, I did see Gaga live in concert in December 2009 and was stunned by how good she is and how fun she is to watch in concert – her live singing voice is strong and never falters, her costumes are epic and her obvious affection for her fans is plainly evident in her desire to talk to the audience at length during the show.

For me, any artist’s willingness to chat with the crowd goes a long way toward me loving the live concert experience. It’s precisely that reason which made me not have as much fun as I’d hoped at Madonna’s Sticky & Sweet Tour because while she was slick, she performed like a well-programmed robot without much regard for the 60,000 actual people who paid handsomely to see her first ever show in Vancouver.

Back to Lady Gaga’s Bad Romance, this song just rules. It’s great pop material, it’s ridiculously danceable and sing-along-to'able, and I love the octave in which she sings the verses.

Not only that, but the Bad Romance video will surely go down as one of the most innovative of the 00’s:



3. Battlefield – Jordin Sparks
STANDOUT LYRIC: Better go and get your armour

One of the main reasons I love this song is perfectly stated by Jordin Sparks herself in an interview: "What grabbed me at first actually was the fact it was so big. The melody starts off very soft but then it gets massive and kinda angsty.” You can read the rest of that particular interview here: http://www.digitalspy.com/music/interviews/a157414/jordin-sparks.html

The other reason I love this song is pretty much the same reason I’ve loved other Jordin Sparks singles. It’s her voice. Plain and simple. When Jordin belts it out, I’ve no doubt the Richter scale registers a result. Oh and btw, the Bimbo Jones remix of ‘Battlefield’ is ridiculously excellent and puts exactly the appropriate energy behind Sparks’s vocal. Voila la vid:


2. Bulletproof – La Roux
STANDOUT LYRIC: Tick tick tick tick on the watch and life's too short for me to stop, oh baby, your time is running out.

Anyone who knows me knows that sometimes it seems like I think we're all still living the 80s. And songs like this are the reason why. ‘Bulletproof’ pays an authentic kind of genre homage that you don’t hear very often – it’s true, accurate and just so fun. If you’ve ever liked the sound of Yaz, early Depeche Mode, or Erasure, then you’ll love La Roux.

Bulletproof debuted at #1 in the UK singles chart and, imho, is the best song on their debut album. Can’t figure out why it didn’t climb higher than 45 on the Canadian Hot 100, though. If you’re looking for the right remix of ‘Bulletproof’, without question it is the Tiborg Club Remix
Lastly, I love Eleanor Jackson’s androgyny which is on fine display in the ‘Bulletproof’ video:


1. When Love Takes Over – David Guetta featuring Kelly Rowland
STANDOUT LYRIC: Cause I can feel it coming over me, I wouldn’t stop it if I could

The first time I heard this song was late one night in the Spring of 2009... I was laying in bed, trying to get to sleep. I fell fast in love with it. It gave me butterflies in my stomach!

Kelly Rowland’s vocal performance surely must be the very best of the year from any pop artist and she and David Guetta deserve a Grammy award for this amazing single.

Who knew how amazing Rowland’s voice all those years ago in Destiny’s Child or even in her previous solo work? Her ability to transform the words “Yeah”, “I’ll” and “Tonight” is just astonishing to me. She absolutely has the voice of an angel.

Me and my peeps pronounced When Love Takes Over as "The Song of the Summer"... and because I cannot *ever* seem get enough of it, it is also the song of the year for me.

The opening piano melody sounds A LOT like Coldplay’s ‘Clocks’, but it ain’t actually taken from that song.

As for remixes, when you consider it comes from David Guetta who is one of the top DJ’s working right now, I’m truly stunned that there isn’t a knock-‘em-dead remix of this song. It is a CLUB. EFFING. ANTHEM. Weird, eh? It’s also too bad the video isn’t as stellar as the recording itself, but it’ll have to do:



P.S. WhenTF did Kelly Rowland start looking like a young Donna Summer?

A FEW ADDED NOTES:
Of all these 10 artists, I got to see two of them live in 2009. Namely, Metric and Lady Gaga. I do wish I’d seen Beyonce and La Roux when they came to Vancouver, but La Roux was sold right the fuck out by the time I heard about it and I couldn’t get tickets no matter how hard I tried. As for Beyonce, I just totally missed the boat on that one.

2009 FAVE LONG-LOST REDISCOVERY: Mory Kante – Yeke Yeke (Afro Acid Remix)


2009 Special Mentions:
Kurd Maverick & Sam Obernik – Love Emergency
Jason DeRulo – Whatcha Say
Glee - for making me love two songs I previously disliked:
My Life Would Suck Without You – Kelly Clarkson
Don’t Stop Believin’ – Journey
Alicia Keys
Imogen Heap
And lastly, the music of MJ – I re-loved all his music this year.

Saturday, December 26, 2009

IT'S COMPLICATED
Yet it isn't... go see this movie!

Christmas Day 2009 is no different than any other year in terms having lots of tantalizing new movies on offer... the cinema beckons us as does ostentatiousness beckon the Haus of Gaga.

Equally, last night me and muh fam damily couldn’t resist the appeal of going out to see It’s Complicated the new film starring Meryl Streep and Alec Baldwin. The first thing I’ll say is I love, love, LOVED this movie. It’s really terrific.

It’s a comedy and a love story with a lot of heart, not to mention an objective to show how hearts and minds work, specifically the hearts and minds of those who are divorced.



It’s Complicated is the story of Jane and Jake Adler (Meryl Streep and Alex Baldwin, respectively) who have been divorced for 10 years after having been married for 19. They share two daughters and a son. Jane is single while Jake is married to Agnes, the much younger woman with whom he had an affair and for whom he left Kate.

The Adler family is brought together in New York City for Jane and Jake’s sons graduation from college. After bumping into each other in their hotel lounge, Jane and Jake get to talking, get to drinking and dancing, and - before anyone knows it - get to jumping into the sack together and embarking on an affair.




The family returns to their home town (a beautifully portrayed Santa Barbara, California) and thus begins the “complicated” path Jane and Jake find themselves on. Jake has realized he never fell out of love with his ex-wife and wants her back, while Jane is enjoying their revisit but isn’t so sure what it all means.

Meanwhile, an architect named Adam (played by Steve Martin who does well here with a fairly bland character), who is working on Jane’s home renovation project, takes a shine to her and they pursue some extra-curricular “activities” together, further complicating Jane's situation with Jake.



The performances in It’s Complicated are absolutely excellent. As always, Meryl Streep hits nothing but perfect notes as Kate.

Remember, this movie is a comedy and as Streep has proven time and time again (The Devil Wears Prada, Postcards From The Edge, Julie & Julia) she is as much a master of comedy performance as she is of serious drama (Kramer vs. Kramer, Doubt, Silkwood).

Not to mention that Meryl Streep can accurately and believably portray pretty much any accent she tries… one day I’d like to hear her do a thick Scottish brogue. I digress… Meryl Streep can do no wrong as an actor, in my eyes. And doesn’t it just seem like she’s been in about a zillion movies lately? A very prolific actor she is.

Her performance in It's Complicated as Jane Adler is the kind that is just a pure pleasure to watch. There’s nothing to prevent you from wanting to climb inside Jane’s life and experience it with her – the second guessing of the end of her marriage, the joy she derives from her post-divorce entrepreneurial success, the devotion to her kids, the authentic laughing fits among she and her gal pals… it’s all good because Meryl Streep is just such a natural performer and truly a pleasure to watch on the screen.

Alec Baldwin is also very fun in his role. Although his character Jake is a self-centred adulterer, he’s also an open book and totally willing to show his own genuine surprise, an authentic caught-off-guard quality about wanting his ex-wife back. Jake is flirtatious, mischievous and charming.



And together, dare I say it, Baldwin and Streep are sexy. It’s not often in Hollywood a woman who has just turned 60 is given a role where she can be as sexy as all get out, but like everything, Streep pulls it off without flaw.

All in all, I really loved It’s Complicated. I must admit, it was an interesting feeling to watch this movie – about a divorced woman and mother of three – with two of my siblings and our mother because our family too is the “product” of my parents divorce when us kids were very young. It was not at all uncomfortable for me to see this particular story play out on the movie screen. Mayhaps it just goes to show how easy it is for anyone to relate to and enjoy It’s Complicated. The movie is just plain great storytelling.

And on a related note, the movie made me recall how beautiful some parts of California are - such as Santa Barbara where this film’s story is situated. Kinda makes me wanna go back for a loooooong visit :)



The sole unfortunate quality of it though is that it shares the name of that horrible Denise Richards’ reality tv show “It’s Complicated” which inexplicably found a home on E! for two seasons. Thankfully it’s no longer airing here in the Great White North.

Last thing I wanna say about It's Complicated (the *film*) is that while I was watching it my mind occasionally flashed to another film, Something’s Gotta Give, because I kept noticing strong reminders of the storyline from that film – another one which I love and have seen several times.

Turns out that familiarity occurred for a reason which somehow escaped me in the marketing of It’s Complicated… it’s written and directed by Nancy Myers (also 60 years old) who not only is responsible for Something's Gotta Give (2003) but also other great films about likeable women and their relationships such as Private Benjamin (1980) and Baby Boom (1987).

It’s Complicated is actually very simple after all, simple to enjoy and simple to recommend as a must-see for this holiday season and beyond.

Here's the trailer to whet your appetite:

Sunday, December 20, 2009

BRITTANY MURPHY DIES AT 32
Cardiac arrest is cause of death

A shock this morning as reports circulate of the death of actress Brittany Murphy, 32. TMZ has the still developing story of Murphy's early morning death today:


Brittany Murphy died early this morning after she went into full cardiac arrest and could not be revived, multiple sources tell TMZ. She was 32. A 911 call was made at 8:00 AM from a home in Los Angeles that is listed as belonging to her husband, Simon Monjack, the Los Angeles City Fire Department tells TMZ. We're told Murphy was taken to Cedars-Sinai Medical Center where she was pronounced dead on arrival. Murphy starred in such films as "Clueless," "8 Mile," and "Don't Say a Word." (tmz)
This is just really sad news today, and it certainly reinforces 2009 in my mind as a particularly notable year for entertainers who have lost their lives.

First time I saw Brittany Murphy was in the 90s classic "Clueless", but my favourite role she played was Alex in 8 Mile.

Aside from acting though, I friggin' LOVED "Faster Kill Pussycat", the club single she released a few years ago (2006, I think?) with Paul Oakenfold. Damn we used to rawk out to this one on the dancefloor... good times :)

This video clip of the song features clips from one of my all-time fave cult-films "Faster, Pussycat! Kill! Kill!" directed by the great Russ Meyers.



Thank you Brittany for leaving behind something everyone can enjoy forever!

My heart goes out to her family and friends and loved ones... may Brittany Murphy be in peace.

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